![]() ![]() So, if you’re using an aperture of f/1.8, you’ll have a lot of light, but not much of your image will be in focus. I’m not going into it in this article however, you should know that depth of field is also impacted by your lens’s focal length and the distance between you and the subject. This is used mainly in landscape photography, or product photography where everything needs to be sharp. Then, of course, a small aperture (such as f/11, f/16, f/22) will create a deep depth of field. This is useful when you want to create a blurry background or attract the viewer’s attention to a specific part of the image. When you adjust the aperture, you’re also changing the depth of field (DOF) – in other words, how much of your image is in focus.Ī wide aperture (such as f/1.4, f/2, f/2.8) results in a shallow depth of field, creating a selective focus. The lenses with smaller f-numbers are called fast lenses and are usually more expensive, especially when they’re zoom lenses. You’ll often find other numbers representing fractions of an f-stop, for example, f/1.8 or f/3.5. Some rare (and expensive) lenses have diaphragms that can go beyond this range. That’s why changing from one to the next is called moving an f-stop. The size of the aperture is expressed in f-numbers each one of them is considered a stop. Obviously, a small aperture lets in less light and vice versa. It’s shaped like a circle and holds movable blades that make the aperture smaller or larger. In the lens of the camera, there’s a piece called the iris diaphragm. That’s because the iris’ muscles constrict or dilate the pupil to regulate how much light can pass through it. It works very much like your eyes: stand in front of a mirror and look at the size of your pupils, then shine a light and see how your pupil shrinks. The aperture refers to the size of the hole that lets in the light, and the diaphragm controls it. This is one of the camera settings that will control the exposure of your image. So, let’s take a look at each of the three elements so you can get a better idea of what I mean. The exposure triangle is one of the most valuable things you can learn in photography, and no guide to camera settings would be complete without it. If you adjust one of the camera settings, you’ll have to compensate with one of the others, and so on. For this, we have three basic camera settings: aperture, shutter speed and ISO.Īperture, shutter speed and ISO all work together, as you have to find the balance between them. To achieve the right exposure, you need to control how sensitive the sensor is and how much light is going to hit the surface. That’s what’s known as the correct exposure. You need the right amount of light, though. With your camera, you let in the light that will be registered by a light-sensitive surface – in digital photography, it’s a sensor in film photography, it’s the film. So, if you’re ready to improve your photos, let’s get started!Īs you probably know, a photograph is made by capturing light. Overall, this article is an ideal complement to our guide: photography for beginners. This way, you can choose the right one for each photography situation.įinally, I’ll cover the different auto-focus modes to help you capture sharp images every time. Then, I’ll explain the different metering modes to learn how your camera measures light. You’ll also find different shooting modes to put your knowledge into action to ease your way out of auto-mode. With this guide, you’ll learn the basic camera settings and how they work. ![]() You can learn how to use the different Auto and Semi-Auto features on your camera, and you’ll see a big difference. You don’t need to jump straight into Manual mode to start taking control of your pictures. If you’re just snapping pictures with your camera as it came out of the box, you’re missing out on wonderful photography opportunities. This guide to camera settings will help you through the first steps out of getting your camera out of Auto mode. ![]()
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